| Howard Bowler has made audio his mission in life. Starting out as a musician, he's shared the stage with such notable acts as, Blondie, Talking Heads, Ramones, B52s, Grand Master Flash, AC/DC, and many others. In the late 80s he produced the top 40 charting single, "Saying Sorry Don't Make It Right". During that time he built his first recording studio and engineered the demos for his two A&M albums. |
In 1992 he joined AT&T to develop audio for interactive TV. Shortly afterwards, Howard joined Grey Worldwide, built their audio studios and was promoted to manager of the in house post division of Grey. After ten years of record revenue, Howard has opened Hobo Audio Company. |
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| Diane comes to Hobo Audio with a solid background in Media Production. As a graduate of Quinnipiac University's School of Communications, she was immersed in the techniques of production, digital media, studio production, and producing for film, radio, and television. By night, she spent three years as a DJ at the university radio station. |
Upon graduation she moved into a position as Assistant Editor for a NYC film production company. Next came Fuse TV, both in the Development Department and the Web Department. Diane is the captain of a co-ed dodgeball team called The Hotness. |
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| Chris began his career as a mixer in the live sound arena. Once deciding to ground himself to studio work and moving to the heart of East Coast audio post-production, he was taken in by Goldcrest Post. While there, he had the opportunity to work closely with many talented sound engineers on numerous feature films & television shows. After helping construct Goldcrest's foley stage & broadcast mix room, Chris became one of the wiring techs for both of HoBo Audio's studios. |
Now hired on as Head Sound Engineer, Chris has been mixing, sound designing and creating general chaos for all of HoBo Audio's clients. His background laden with music, Chris treats everything as a unique instrument, working together to form a sonic landscape for your commercial spot, TV show, or short/feature film. |
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| Julienne showed up at Hobo's doorstep one day in a basket. It just so happened that before randomly landing here, she had studied the art of foley under C5's finest, Marko Costanzo and George Lara, and also worked as a sound engineer for Silver Sound. Her love of audio developed while studying film at NYU. |
After realizing she hated cameras but that microphones were fun, she delved into the wonderful world of location sound and later into post, working as the head engineer of NYU's ADR, Foley and Mix suites. Today she is a proud Hobo. |
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| Dave comes to Hobo Audio in hopes of sharing his passion for sound design and composition. His first love is for the piano, where his range of prizes and certificates include honors from the London Trinity College of Music and the American College of Musicians. His aspiration in composing developed at Manhattanville College, where he became one of the first to graduate with a degree in electro-acoustic composition. |
Today he finds much joy in orchestrating through different styles, and is ready to go baroque to bollywood and everything in between for your next project! |
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| Bennett just finished his Master's in Music Technology at NYU and you can read his thesis on automatic mixing here if you're really bored. He also makes websites, plays in a band called Vice Stevens, and one of these days will dust off his homebrew kit to make his second batch of beer. |
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